{"id":567,"date":"2022-10-12T14:46:57","date_gmt":"2022-10-12T14:46:57","guid":{"rendered":"https:\/\/blogs.library.unt.edu\/music\/?p=567"},"modified":"2023-11-06T18:14:20","modified_gmt":"2023-11-06T18:14:20","slug":"11-native-american-artists-recordings-of-the-past-decade","status":"publish","type":"post","link":"https:\/\/blogs.library.unt.edu\/music\/2022\/10\/12\/11-native-american-artists-recordings-of-the-past-decade\/","title":{"rendered":"11 Native American Artists\u2019 Recordings of the Past Decade"},"content":{"rendered":"\n<h2><span class=\"TextRun SCXW69889904 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW69889904 BCX9\">Joseph <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW69889904 BCX9\">Sioui<\/span><span class=\"NormalTextRun SCXW69889904 BCX9\"> (Wendat First Nations)<\/span><\/span><span class=\"EOP SCXW69889904 BCX9\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:2,&quot;335551620&quot;:2,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/h2>\n<p>\u00a0<\/p>\n<p><span class=\"TextRun SCXW230752029 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW230752029 BCX9\">With social media and the music industry now<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\"> giving more autonomy to artists than before<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">, Native <\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">American<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\"> musicians<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\"> have <\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">flourished with incorporating their identity into their music in recent years!<\/span> <span class=\"NormalTextRun SCXW230752029 BCX9\">Below <\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">are just <\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">eleven <\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">of the plethora of amazing Native American musical artists<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">\u2019 albums<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\"> that I have<\/span> <span class=\"NormalTextRun SCXW230752029 BCX9\">enjoyed listening to thanks to the Native community and my tribe<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">.<\/span><\/span><span class=\"TextRun SCXW230752029 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"> <span class=\"NormalTextRun SCXW230752029 BCX9\">I have<\/span> <span class=\"NormalTextRun SCXW230752029 BCX9\">recommended tra<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">cks<\/span> <\/span><span class=\"TrackedChange SCXW230752029 BCX9\"><span class=\"TextRun SCXW230752029 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW230752029 BCX9\">an<\/span><\/span><\/span><span class=\"TextRun SCXW230752029 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW230752029 BCX9\">d<\/span><\/span><span class=\"TrackedChange SCXW230752029 BCX9\"><span class=\"TextRun SCXW230752029 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW230752029 BCX9\"> included brief s<\/span><\/span><\/span><span class=\"TextRun SCXW230752029 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW230752029 BCX9\">ummaries for each album<\/span><span class=\"NormalTextRun SCXW230752029 BCX9\">. Enjoy the playlist at the end of this post!<\/span><\/span><\/p>\n<p>\u00a0<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/TanyaTagaqTongues-1.png\" alt=\"drawing of mouth\" class=\"wp-image-592\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/TanyaTagaqTongues-1.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/TanyaTagaqTongues-1-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/TanyaTagaqTongues-1-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/TanyaTagaqTongues-1-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/TanyaTagaqTongues-1-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Tongues <\/em>(2022) by Tanya Tagaq&nbsp;<\/h2>\n\n\n\n<p><strong>Track recommendation:<\/strong> \u201cTongues\u201d&nbsp;<\/p>\n\n\n\n<p>Canadian Inuk artist Tanya Tagaq pairs her throat singing, vocal ability, and lyricism with experimental electronic and beat music to create art music that unapologetically shares her experience. She is a two-time JUNO Award winner, Polaris Prize winner, and member of the Order of Canada.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/ATribeCalledRed.png\" alt=\"cover art featuring headphones and headdress\" class=\"wp-image-572\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/ATribeCalledRed.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/ATribeCalledRed-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/ATribeCalledRed-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/ATribeCalledRed-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/ATribeCalledRed-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2><em><span class=\"TextRun SCXW224697938 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW224697938 BCX9\">A Tribe Called Red<\/span><\/span><\/em><span class=\"TextRun SCXW224697938 BCX9\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW224697938 BCX9\"> (2013) by The <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW224697938 BCX9\">Halluci<\/span><span class=\"NormalTextRun SCXW224697938 BCX9\"> Nation<\/span><\/span><span class=\"EOP SCXW224697938 BCX9\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/h2>\n<p><b><span data-contrast=\"auto\">Track recommendation:<\/span><\/b><span data-contrast=\"auto\"> \u201cElectric Pow Wow Drum\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">DJ group The Halluci Nation electrifies the sounds of powwow music in their albums. \u201cElectric Pow Wow Drum\u201d is their biggest hit. They are two-time JUNO Award winners.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SupamanMedicineBundle.png\" alt=\"cover art with warrior and representation of multicolor sound waves\" class=\"wp-image-573\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SupamanMedicineBundle.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SupamanMedicineBundle-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SupamanMedicineBundle-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SupamanMedicineBundle-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SupamanMedicineBundle-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Medicine Bundle<\/em> (2021) by Supaman&nbsp;<\/h2>\n\n\n\n<p><strong>Track recommendation:<\/strong> \u201cI Hope You Know\u201d with Ashley Hall&nbsp;<\/p>\n\n\n\n<p>American Crow Hip-hop rapper, DJ, and producer Supaman\u2019s <em>Medicine Bundle<\/em> consists of lyric heavy rapping and catchy hooks, most notably \u201cI Hope You Know\u201d with Ashley Hall.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/BeatricDeer.png\" alt=\"cover art with black background and woman's face gazing off to the side\" class=\"wp-image-575\" width=\"300\" height=\"300\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/BeatricDeer.png 300w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/BeatricDeer-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/BeatricDeer-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/BeatricDeer-125x125.png 125w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>My All To You<\/em> (2018) by Beatrice Deer&nbsp;<\/h2>\n\n\n\n<p><strong>Track recommendation:<\/strong> \u201cIsumavunga\u201d&nbsp;<\/p>\n\n\n\n<p>Canadian Inuk singer-songwriter Beatrice Deer incorporates her identity into indie and modern folk music. She is a Canadian Aboriginal Music Award Winner.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/NorthernCree.png\" alt=\"Styles cover art with drawing of people interlocking arms\" class=\"wp-image-576\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/NorthernCree.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/NorthernCree-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/NorthernCree-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/NorthernCree-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/NorthernCree-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Dancerz Groove<\/em> (2012) by Northern Cree&nbsp;<\/h2>\n\n\n\n<p><b><span data-contrast=\"auto\">Track recommendation:<\/span><\/b><span data-contrast=\"auto\"> \u201cFacebook Drama\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Powwow group Northern Cree brings modern expression to powwow music. They are nine-time Grammy nominees and two-time Juno Award nominees.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SinematicRobbieRobertson.png\" alt=\"Cover art of drawn person on cover with orange and yellow background\" class=\"wp-image-578\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SinematicRobbieRobertson.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SinematicRobbieRobertson-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SinematicRobbieRobertson-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SinematicRobbieRobertson-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/SinematicRobbieRobertson-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Sinematic<\/em> (2019) by Robbie Robertson&nbsp;<\/h2>\n\n\n\n<p><b><span data-contrast=\"auto\">Track recommendation:<\/span><\/b><span data-contrast=\"auto\"> \u201cI Hear You Paint Houses\u201d with Vann Morrison<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Guitarist and vocalist Robbie Robertson was a major member of The Band and worked with Bob Dylan. <\/span><i><span data-contrast=\"auto\">Sinematic<\/span><\/i><span data-contrast=\"auto\"> is a modern blues\/rock album that references the numerous collaborations Robertson has had scoring and sourcing music for Martin Scorsese\u2019s films. \u201cI Hear You Paint Houses\u201d was part of Scorsese\u2019s <\/span><i><span data-contrast=\"auto\">The Irishman<\/span><\/i><span data-contrast=\"auto\"> (2019). He is a five-time Grammy nominee.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Axiom.png\" alt=\"cover art in purple and pink colors with a picture of Chef Xian Adjauj - Christian Scott wearing a stylized headdress and garments\" class=\"wp-image-579\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Axiom.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Axiom-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Axiom-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Axiom-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Axiom-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Axiom <\/em>(2020) by Chief Xian Adjauh (Christian Scott)&nbsp;<\/h2>\n\n\n\n<p><b><span data-contrast=\"auto\">Track recommendation:<\/span><\/b><span data-contrast=\"auto\"> \u201cDisapora\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Part of the Afro-Native American or \u201cMardi Gras Indian\u201d population in New Orleans, Adjuah comes from a long line of musical performers. His musical style fuses elements of different cultural styles, such as hip-hop, blues, and West African music. Adjuah mainly plays trumpet. He is a six-time Grammy nominee and two-time Edison Award winner (Netherlands Grammy equivalent).<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/HumansbyAnyma.png\" alt=\"A person wearing a mask\" class=\"wp-image-581\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/HumansbyAnyma.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/HumansbyAnyma-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/HumansbyAnyma-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/HumansbyAnyma-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/HumansbyAnyma-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>HUMANS<\/em> (2021) by Anyma&nbsp;<\/h2>\n\n\n\n<p><b><span data-contrast=\"auto\">Track recommendation:<\/span><\/b><span data-contrast=\"auto\"> \u201cIf God Had a Boat\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Wendat Nation singer\/songwriter Anyma utilizes electronic and indie pop styles to express her art.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/FaunWood.png\" alt=\"Image of woman on cover gazing off to the size\" class=\"wp-image-583\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/FaunWood.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/FaunWood-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/FaunWood-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/FaunWood-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/FaunWood-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Kik\u0101wiynaw <\/em>(2015) by Fawn Wood&nbsp;<\/h2>\n\n\n\n<p><b><span data-contrast=\"auto\">Track recommendation:<\/span><\/b><span data-contrast=\"auto\"> \u201cRemember Me\u201d with Randy Wood and R. Carlos Nakai<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Cree and Salish vocalist and songwriter Fawn Wood often sets her music for voice and hand drum. \u201cRemember Me\u201d is her most popular song, featuring Navajo and Ute musician R. Carlos Nakai, an eleven-time Grammy nominee. Wood is a JUNO award winner<\/span><i><span data-contrast=\"none\">.<\/span><\/i><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/A-person-sitting-in-a-chair.png\" alt=\"\" class=\"wp-image-584\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/A-person-sitting-in-a-chair.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/A-person-sitting-in-a-chair-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/A-person-sitting-in-a-chair-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/A-person-sitting-in-a-chair-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/A-person-sitting-in-a-chair-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Wolastoqiyik lintuwakonawa<\/em> (2018) by Jeremy Dutcher&nbsp;<\/h2>\n\n\n\n<p><b><span data-contrast=\"auto\">Track recommendation:<\/span><\/b><span data-contrast=\"auto\"> \u201cMehcinut\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Classically trained vocalist and musicologist Jeremy Dutcher incorporates his Wolastqiyik identity into this album by teaming up with elder and song carrier Maggie Paul to breathe new life into old field recordings of their ancestors\u2019 songs through well-produced, accessible classical sounds and sampling Maggie and the field recordings. This album won a Polaris Prize and JUNO award.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"624\" src=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Elisapie.png\" alt=\"\" class=\"wp-image-585\" srcset=\"https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Elisapie.png 624w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Elisapie-400x400.png 400w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Elisapie-200x200.png 200w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Elisapie-65x65.png 65w, https:\/\/blogs.library.unt.edu\/music\/wp-content\/uploads\/sites\/11\/2022\/10\/Elisapie-125x125.png 125w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>The Ballad of the Runaway Girl (2018)<\/em> by Elisapie&nbsp;<\/h2>\n\n\n\n<p><b><span data-contrast=\"auto\">Track recommendation:<\/span><\/b><span data-contrast=\"auto\"> \u201cDon\u2019t Make Me Blue\u201d<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n<p><span data-contrast=\"auto\">Inuk Canadian singer-songwriter Elisapie incorporates her identity into indie and modern folk music. She is a Juno Award winner and Polaris Prize nominee.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Wrap Up<\/h2>\n\n\n\n<p><span data-contrast=\"auto\">The summaries were created based off general information found on the artists\u2019 streaming pages, websites, award winning websites, and Wikipedia bios.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"> Check out the playlist below to hear some selections.<\/span><\/p>\n\n\n\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/0eaC2cAVk4kJrzcraYpQER?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"Joseph Sioui (Wendat First Nations)\u00a0 \u00a0 With social media and the music industry now giving more autonomy to artists than before, Native American musicians have flourished with incorporating their identity into their music in recent years! Below are just eleven of the plethora of amazing Native American musical artists\u2019 albums that I have enjoyed listening&#8230;  <a href=\"https:\/\/blogs.library.unt.edu\/music\/2022\/10\/12\/11-native-american-artists-recordings-of-the-past-decade\/\" class=\"more-link\" title=\"Read 11 Native American Artists\u2019 Recordings of the Past Decade\">Read more &raquo;<\/a>","protected":false},"author":98,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[28],"tags":[33,32],"class_list":["post-567","post","type-post","status-publish","format-standard","hentry","category-student-publications","tag-indigenous-peoples","tag-native-american"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/posts\/567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/users\/98"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/comments?post=567"}],"version-history":[{"count":5,"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/posts\/567\/revisions"}],"predecessor-version":[{"id":649,"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/posts\/567\/revisions\/649"}],"wp:attachment":[{"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/media?parent=567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/categories?post=567"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.library.unt.edu\/music\/wp-json\/wp\/v2\/tags?post=567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}