{"id":730,"date":"2025-01-21T17:30:32","date_gmt":"2025-01-21T17:30:32","guid":{"rendered":"https:\/\/blogs.library.unt.edu\/music\/?p=730"},"modified":"2025-01-21T17:30:33","modified_gmt":"2025-01-21T17:30:33","slug":"recording-made-easy-a-beginners-guide-to-the-soundbox-recording-equipment","status":"publish","type":"post","link":"https:\/\/blogs.library.unt.edu\/music\/2025\/01\/21\/recording-made-easy-a-beginners-guide-to-the-soundbox-recording-equipment\/","title":{"rendered":"Recording Made Easy: A Beginner\u2019s Guide to the Soundbox Recording Equipment\u00a0"},"content":{"rendered":"\n

Emily Maher<\/h2>\n\n\n\n
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Did you know that <\/span>T<\/span>he Soundbox<\/span><\/a> at the Music Library provides high quality recording equipment that is available for checkout? This equipment is a great tool for musicians looking to update their professional recording portfolio, complete audition or competition recordings, and fulfill recording requirements for classes.\u00a0 Patrons can practice setting up and working with advanced audio equipment by checking out these materials. You do not have to be a trained audio engineer to get a good recording.\u00a0<\/span>\u00a0<\/span><\/p>\n

As a cellist and graduate performance major, I always have a recording project or two on my to-do list each semester. My role as a Graduate Services Assistant for the Music Library has made me passionate about utilizing library resources and sharing this information with others. The first time I checked out this equipment, I was beyond impressed with the sound quality. I have successfully recorded solo cello, cello with piano, string trio, and piano trio with this equipment. I have created the following guide so you can do the same.<\/span>\u00a0<\/span><\/p>\n

After you have planned for your recording session, come to the Music Library to check out the following equipment: Focusrite Scarlett Audio Interface, 2 XLR cables, matched pair of Rode Microphones, and a microphone stand. Bring a big bag, as it is quite a bit to carry. You will also need a computer, Focusrite audio interface software (available for free to download from the <\/span>Focusrite<\/span> website<\/span><\/a>), a Digital Audio Workstation (DAW) to record the audio (<\/span>Audacity<\/span><\/a> is easy and free to download). Additional DAWs are available for use <\/span>at the Soundbox<\/span><\/a>. If you are recording video, you will need a camera and tripod, which can be reserved and checked out at <\/span>T<\/span>he Spark<\/span><\/a>).\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0<\/span><\/p>\n

Next, do your research. Learn the basics about stereo versus condenser microphones and recording in mono\/stereo. Do some research about the best microphone placement for your ensemble and consider the acoustics of your recording venue. Rode has several tutorials on microphone placement on <\/span>their website<\/span><\/a>. In the beginning, I did a lot of googling and watched several YouTube tutorials. The Soundbox staff can help you with your research, so do not hesitate to ask questions.\u00a0<\/span>\u00a0<\/span><\/p>\n

I would suggest checking out the equipment before you need it, to practice setting it up and experimenting with microphone settings for best results. Alternatively, practice setup with a friend who can help the day of your recording. This may make your life a little easier.<\/span>\u00a0<\/span><\/p>\n

To set up the equipment, first make sure you have downloaded the correct Focusrite and DAW software to your computer. Attach the microphones with the XLR cables to the interface and plug the interface into the computer. Set up and position your camera if you are recording with video. All Soundbox equipment has a QR code that links directly to the equipment manual. Scan the code to consult the manuals with any questions.<\/span>\u00a0<\/span><\/p>\n

Once the equipment is set up, test your sound levels. Record small sections of the softest and loudest parts of the piece to ensure the microphones pick up the full dynamic range of your playing. If playing with an ensemble, listen carefully for blend in the sound. If the sound is unbalanced, consider adjusting the gain and\/or placement of the microphones.<\/span>\u00a0<\/span><\/p>\n

After you have set up and tested your sound levels, you are ready to record. In my experience, this process has always been easier than the setup. My philosophy for recording sessions is to do no more than three complete takes in one sitting. Take the time you need to rehearse, then when you feel ready, record! Before you start playing, make sure to press record on both video and audio components. Clap before you play so that when you are editing later, it is easy to sync the video with the audio.<\/span>\u00a0<\/span><\/p>\n

After recording, save your files to the computer. Make sure to carefully disassemble and pack up all equipment and return all checked out materials to the library by the due date. Recording materials accrue significant fines if late, so make sure to return them on time!<\/span>\u00a0<\/span><\/p>\n

Once you have listened to each take and chosen the one that you prefer, sync the audio and video. This can be done easily by importing both the video and audio files into a program like Adobe Premiere, iMovie, or Microsoft Clipchamp to name a few. Many of these programs are available on library computers. Line the files up at the clap at the beginning of the recordings, then cut both files as desired. After synchronizing the audio and video components, export your final recording.\u00a0<\/span>\u00a0<\/span><\/p>\n

Curious to hear what kind of sound quality you can get using this recording equipment? Here is an example:\u00a0<\/span>\u00a0<\/span><\/p>\n