{"id":216,"date":"2020-03-26T00:10:19","date_gmt":"2020-03-26T04:10:19","guid":{"rendered":"https:\/\/blogs.library.unt.edu\/sycamore-stacks\/?p=216"},"modified":"2020-03-26T01:43:05","modified_gmt":"2020-03-26T05:43:05","slug":"live-long-and-prosper-its-leonard-nimoys-birthday","status":"publish","type":"post","link":"https:\/\/blogs.library.unt.edu\/sycamore-stacks\/2020\/03\/26\/live-long-and-prosper-its-leonard-nimoys-birthday\/","title":{"rendered":"Live Long and Prosper, It’s Leonard Nimoy’s Birthday"},"content":{"rendered":"\"Terry\r\n
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Live Long and Prosper Day<\/a> has been celebrated on Leonard Nimoy<\/a>‘s birthday every year since 2017, when it was created by artist Matt McCarthy<\/a> as a project for Make Up Your Own Holiday Day<\/a>, also celebrated on March 26. It is a day to contemplate the Vulcan blessing and consider how it might apply to your own life. We would like to take this opportunity to share with you a few U.S. government publications that are related to Mr. Nimoy or to the Star Trek<\/em> television and movie series, demonstrating how deeply embedded they have become in our American culture and consciousness.<\/p>\r\n\r\n

NASA<\/h3>\r\n

Because of their common theme of space exploration, the National Aeronautics and Space Administration (NASA)<\/a> has had perhaps the most intimate connection with Star Trek<\/em> of any government agency. NASA even has a section of its Web site dedicated to the relationship between NASA and Star Trek<\/em><\/a> and, on the 50th anniversary of the show’s final episode, published an article detailing 50 Years of NASA and Star Trek<\/em> Connections.<\/a><\/p>\r\n\r\n

The first NASA space shuttle was called the Enterprise<\/em><\/a>, named after the Star Fleet’s most famous ship in response to a letter-writing campaign from fans of the television show. The Star Trek<\/em> cast and crew even visited NASA’s Dryden (now Armstrong) Research Center for a photo opportunity<\/a> when the Enterprise<\/em> was rolled out.<\/p>\r\n\r\n

Many Americans have been inspired to become astronauts after watching the Star Trek<\/em>, and some astronauts have even made guest appearances on the show. The casting of African-American actress Nichelle Nichols<\/a> as Lt. Uhura broadcast a powerful message about the position of minorities and women during the height of the civil rights movement; Nichols even actively recruited a diverse crew of new astronauts in real life, including Guion Bluford<\/a> (the first African-American astronaut), Sally Ride<\/a> (the first female American astronaut), Judith Resnik<\/a> (one of the first class of female astronauts<\/a>, who perished during the launch of the Challenger<\/em> on January 28, 1986), and Ronald McNair<\/a> (the second African-American astronaut, and another victim of the Challenger<\/em> accident). Mae Jemison<\/a> was inspired to become the first African-American woman in space, and later Jemison became the first real astronaut to appear in a role on Star Trek<\/em> when she played Lt. Palmer in 1993.<\/p>\r\n\r\n

In his article The Science of Star Trek<\/em><\/a>, NASA scientist David Allen Batchelor explores various features of Star Trek<\/em> according to how scientifically accurate or inaccurate they are, and comments upon whether various of the show’s inventions are feasible or, in some cases, have already been achieved.<\/p>\r\n\r\n

Library of Congress<\/H3>\r\n\r\n

Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress<\/em><\/a> is an anthology of essays providing a taste of the varied holdings in the Library of Congress related to movies, television shows, radio programs, and recordings of music and the spoken word. The entire book is full of fascinating anecdotes and trenchant technical analyses, but one essay in particular is essential reading for Star Trek<\/em> fans: Music for Star Trek<\/em>: Scoring a Television Show in the Sixties<\/a> is a first-hand account of how the soundtrack music was created for the three seasons of the original Star Trek<\/em> series. Written by Fred Steiner, one of the eight composers who worked on a total of thirty episodes, the essay provides not only a detailed, insider’s account of how the music for each episode was composed, it also gives a lucid account of the complex process of scoring a typical television show in the 1960s. The essay is enhanced with photographic stills from the show and excerpts from the scores themselves, including a facsimile of the famous main title fanfare and theme<\/a> composed by Alexander Courage.<\/p> \r\n\r\n

Speaking of the main title, did you know that the music has lyrics? According to a blog post<\/a> by Reference Specialist Paul Sommerfeld<\/a>, producer Gene Roddenberry was concerned that the show would not be financially successful, so he wrote words under Courage’s melody and submitted this version of the score to the Copyright Office, listing himself as lyricist. This bit of legal subterfuge guaranteed that he would collect 50 percent of the proceeds every time the them song was performed in public, even if the words were not sung, but it also guaranteed that the composer would be bilked out of half of his earnings.<\/p>\r\n\r\n

Smithsonian Institution<\/h3>\r\n\r\n

In May 2016, the Smithsonian Institution<\/a>‘s Smithsonian Magazine<\/em><\/a> celebrated the 50th anniversary of the debut of Star Trek<\/em> with An Oral History of Star Trek<\/em><\/a>, exploring the richness and persistent appeal of the television series in a collection of interviews excerpted from the book The Fifty-Year Mission: The Complete, Uncensored, Unauthorized Oral History of Star Trek: The First 25 Years<\/em><\/a>, by Edward Gross and Mark A. Altman. After this article came out, a second volume of the book was published, entitled The Fifty-Year Mission: The Next 25 Years: From The Next Generation to J. J. Abrams: The Complete, Uncensored, and Unauthorized Oral History of Star Trek<\/em><\/a>.<\/p>\r\n\r\n

Here are a few examples of Star Trek<\/em>\u2013themed realia owned by the Smithsonian:<\/p>\r\n\r\n