{"id":532,"date":"2015-08-27T10:24:28","date_gmt":"2015-08-27T16:24:28","guid":{"rendered":"http:\/\/blogs.library.unt.edu\/unt125\/?p=532"},"modified":"2017-12-18T13:12:16","modified_gmt":"2017-12-18T19:12:16","slug":"joan_blondell","status":"publish","type":"post","link":"https:\/\/blogs.library.unt.edu\/unt125\/2015\/08\/27\/joan_blondell\/","title":{"rendered":"Lights! Camera! University of North Texas!: Joan Blondell (1906 – 1979)"},"content":{"rendered":"

As part of the University of North Texas\u2019 125th<\/sup> anniversary celebration, the Media Library<\/a> presents the first in a series of posts paying tribute to our university\u2019s motion picture history. While many may be aware of our starring role in the 1991 comedy, Necessary Roughness<\/em><\/a>, Denton\u2019s relationship with motion picture production actually began in 1913 when the Denton Chamber of Commerce and a local movie theater owner collaborated to produce their own film, Denton City of Education<\/em><\/a>. Denton continued to play a role in motion picture history by hosting the Southwestern Premiere of Bonnie and Clyde<\/a><\/em> (1967) at the Campus Theater. The University itself has been an incubator for Hollywood talent and counts among its alumni numerous actors, writers, and directors.<\/p>\r\n

One of our University\u2019s first stars, Joan \u201cRosebud\u201d Blondell (1906-1979), attended North Texas State Teacher\u2019s College from 1926-1927. Born in New York, Joan spent most of her childhood traveling the world and performing with her family\u2019s vaudeville troupe before settling on Oakland Ave. in Denton in 1926. In Denton her parents opened a dress shop, \u201cLa Mode,\u201d and her mother acted in Denton Little Theater productions. After enrolling at NTSTC in 1926, Joan (then known as Rosebud) began entering local beauty pageants. According to her biography, Joan Blondell: A Life Between <\/em>Takes, Joan even faked a Southern dialect and invented a Texas ancestry so that she could compete in the 1926 Miss Dallas pageant. After winning the title of Miss Dallas, she placed fourth in the 1926 Miss America Pageant. In November 1926 she was crowned Queen of the A&M College Rodeo and Pageant where she was escorted by 2,000 cadets. According to some reports, the cadets found Joan so appealing that they hid her luggage to delay her return to Denton.<\/p>\r\n

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Although her enrollment at NTSTC was brief, during this period she was active in the Lillie Bruce Dramatic Club<\/a>, performed with her siblings in local Kiwanis Minstrel programs, and also performed at Dallas\u2019 Palace Theatre. Perhaps her most highly regarded performance was a 1927 portrayal of the title role in George Bernard Shaw\u2019s Candida<\/em>. The Campus Chat<\/em> reported<\/a> that \u201cone of the largest crowds in the history of the Lillie Bruce Dramatic Club\u201d watched Joan on opening night. By this time, Joan had decided she preferred acting to studying and went to New York to pursue her dreams. She held many part-time jobs including one at a public library before her big break came in the 1930 Warner Bros. film Sinner\u2019s Holiday<\/a><\/em> alongside James Cagney. Joan continued to work regularly with Warner Brothers\u2014making as many as 10 films a year in 1931 through 1933\u2014and is perhaps best known for her roles in the provocative pre-code pictures of this era including Night Nurse<\/em><\/a> (1931), The Public Enemy<\/em><\/a> (1931), and Gold Diggers of 1933<\/em><\/a> (1933).<\/p>\r\n

Joan continued to find work in smaller roles in both film and television productions until her death in 1979. She was nominated for an Academy Award for her supporting role in The Blue Veil<\/a><\/em> (1951) and awarded a star on the Hollywood Walk of Fame in 1960. Though she never quite achieved the same level of stardom as her frequent co-stars Barbara Stanwyck and James Cagney, Blondell\u2019s screen presence makes her a genuine star.<\/p>\r\n

If you\u2019re interested in seeing Joan in action, the Media Library owns many of the titles from her first years in Hollywood including Big Business Girl<\/em><\/a>, <\/em>Blonde Crazy<\/em><\/a>, <\/em>Night Nurse<\/em><\/a>, <\/em>Public Enemy<\/em><\/a>, <\/em>The Reckless Hour<\/em><\/a>, <\/em>Other Men\u2019s Women<\/em><\/a>, <\/em>Three on a Match<\/em><\/a>, <\/em>Gold Diggers of 1933<\/em><\/a>, <\/em>Footlight Parade<\/em><\/a>, <\/em>I\u2019ve Got Your Number<\/em><\/a>, <\/em>and Dames<\/em><\/a>.<\/em> For the diehard Blondell fans out there, see if you can identify Joan in one of her final acting appearances in Grease<\/em><\/a> (1978).<\/p>\r\n

If you have any additional information about Blondell\u2019s life while living in Denton and attending NTSTC, please contact the Moving Image Preservation Librarian, Laura Treat, at laura.treat@unt.edu<\/a>.<\/p>\r\n

— by Laura Treat (Moving Image Preservation Librarian) and Steven Guerrero (Media Circulation Manager), UNT Media Library<\/p>\r\n

Explore resources related to Joan Blondell in The Portal to Texas History:<\/p>\r\n

Joan \u201cRosebud\u201d Blondell\u2019s yearbook picture<\/a>. The Yucca, Yearbook of North Texas State Teacher’s College, 1927<\/p>\r\n

\u201c \u2018Candida\u2019 Gets Largest Crowd in Club History,\u201d<\/a> The Campus Chat (Denton, Tex.), Vol. 11, No. 15, Ed. 1 Thursday, January 20, 1927.<\/p>\r\n

Jimmie Keith and Joan Blondell on set, 1943.<\/a> (courtesy Marfa Public Library).<\/p>\r\n\n\t\t