“The Comics Studies logo was a unique project that ended up being informative and rewarding. Being fairly unfamiliar with the current state of comics, I approached this project with a mental image of older comics. The visual language of comics from the past is commonly adopted and reinterpreted by designers and illustrators to use across various contexts. I saw this logo project as a golden opportunity to reference the styles of illustrators that I admire like Patrick Leger or Arturo Torres. This, however, ended being a mistake on my behalf because it caused me to begin a project with a visual bias, and the first logo sort of misses the mark on conveying popular topics in contemporary comics like inclusiveness and diversity. The illustration process consisted of a tight thumbnail sketch, tracing the sketch in Adobe Illustrator, and using some grungy art brushes within the software program to give it a vintage look.First draft of the Comics Studies logo
After the first concept, I was directed towards some present-day comics and graphic novels that focus on equality and equal representation of different cultural groups. It was time to go back to the drawing board with an updated perception of my client’s needs. I also needed to take a deeper consideration of what a logo is, and that a highly illustrative style could potentially be unbeneficial if the mark were to be used at a very small scale. It took some sketching to revise the logo, but I arrived at an unexpected and unique solution that the Comics Studies group was happy with! I was also very pleased to hear that the dark and bold qualities of the character and the typography would stand out among other logos within the realm of comics. Perhaps it takes someone who is foreign to the subject matter to generate something a little different.” –KPComics Studies logo, second concept sketch

Comics Studies logo final version




Spencer K.
Kaleb’s work is great, and it’s wonderful to hear about the process behind the design.