Posted by & filed under Bonnie and Clyde, Denton, Hollywood, Local History.

This clip from the KXAS-NBC 5 News Collection shows Warren Beatty, Estelle Parsons, and Michael J. Pollard participating in the North Texas State Fair parade in downtown Denton prior to the Southwest Premiere of Bonnie and Clyde on Sept. 13, 1967.


Much has already been written about the 1967 biographical crime film, Bonnie and Clyde. Directed by Arthur Penn and starring Warren Beatty and Faye Dunaway, this film was considered by some contemporary viewers as a groundbreaking portrayal of sex, violence, and anti-establishment sentiments while others criticized it for glamorizing violence and for inaccurate historical representations. Despite this tension between glamour and fact, exploitation and authenticity, many North Texans actually participated in the creation of Bonnie and Clyde when Hollywood stars and production crews came to towns such as Lavon, Ponder, Pilot Point, Venus, and Midlothian. The region played such a large role in the film’s production that Denton even hosted its Southwest premiere.

This September 13th, as we celebrate the 48th anniversary of the Southwest Premiere of Bonnie and Clyde, please join us for a meandering trip down memory lane and explore how the communities of North Texas participated in and influenced this historic film.

Production – ca. October – November 1966

The earliest mention of Texas I’ve found concerns location shooting in Lavon in October 1966. The Wylie News reported that camera crews had been shooting at the Lavon Café (owned by Miles Williams) on Monday October 17th and Tuesday October 18th with local extras Carolyn Feagin, Mrs. Miles Williams, Billy Joe Rogers, Bob Morrow, and Mrs. W. A. Gray. From Lavon, the cast and crew moved on to Ponder, TX where Bellville resident and former Ponder resident Mrs. Leo Chatham observed the filming. Mrs. Chatham told her local paper, The Bellville Times, on November 03, 1966 that four Ponder residents had been included and “This was quite a day for the little town of Ponder.” The crew did some shooting in Dallas and then travelled back north again to shoot at the Farmers and Merchants Bank building and Mike Amon’s service station in the town of Pilot Point.

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Newspaper reports indicate that production began in Pilot Point on Wednesday November 9th with Barrow’s bank robbery filmed at the Farmers and Merchant’s Bank. Newspaper accounts indicate that shooting continued through November 10th, though some eye-witness reports indicate the shooting may have taken at least 3 days. Local extras included relatives of Mayor George Hilz—his 11-year-old daughter Karen Hilz and nephew 14-year-old Michael Hilz. The two kids were joined by Mrs. Harold Smith (wife of then Chamber of Commerce President) during a lively getaway scene. As reported in the above clipping from The Campus Chat, North Texas State University’s (now UNT) custodian Dee Ray Jones was hired as an extra in the bank robbery scene because his haircut matched the 1930’s style better than another man considered for the job. His wife was also hired and he can purportedly be seen walking from the rear of the bank, looking through the bank teller’s window, and raising his hands.

It’s unclear when location shooting wrapped in North Texas, though one article mentioned they hoped to finish by December 1966. Local news reports about the picture slowed down until the summer of 1967 when preparations were underway for its premiere.

Returning to the Scene of the Crime: North Texas Publicity Tour

It’s unclear just exactly when or how it was decided that Denton, Texas would be the location for the film’s Southwest Premiere. By August 1967, however, the Campus Chat had announced that the film would receive its regional premiere in September 1967 following the New York World Premiere and a showing in Montreal. By late August, reviews from the East Coast arrived in Texas. The Pilot Point Post-Signal reported on August 31, 1967 that resident Bob Athons received a letter from his son “Sonny” Athons, an employee at the New York Daily News, who “enjoyed the film tremendously” and thought he may have spotted his father in a crowd. Mr. Athons told the Post-Signal that Sonny would be attending the Denton Premiere in September.

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Taken by an unknown photographer this photograph features (left to right): Holiday Inn manager Jim Poteet, Estelle Parsons, Warren Beatty, Mrs. Jim Poteet, and Michael J. Pollard. I am still trying to locate the photographer who posted this online. Please contact me if you know who took this great photo!


On September 11th or 12th, 1967 three of the film’s stars—Warren Beatty, Estelle Parsons, and Michael J. Pollard—along with Warner Bros. executives arrived in Denton and checked-in at a local Holiday Inn. Noticeably absent was Faye Dunawaye who was shooting another film in Hollywood and unable to attend. On September 13th–the day of the premiere–they began a day-long adventure through North Texas. Taking advantage of local hospitality, Estelle Parsons was escorted around the area that morning by Denton Record Chronicle Executive Bill Rives.

Later that morning, Beatty, Parsons, and Pollard spoke at a drama seminar at the Holiday Inn. Beatty discussed accusations that the film glamorized criminals and violence:  “Violence is a matter within an individual. The Depression brought on Bonnie and Clyde’s spree. They had an excuse to strike out at the Establishment and they grabbed it” (DeCola, 1967). Regarding the graphic violence and reports of 11 patrons fainting at the London screening the evening prior, Beatty told the Denton Record Chronicle “the theater was overheated” (They’re People!, 1967). Beatty also discussed the choice to use local actors and shoot on location in Texas:  “We could never have attained the effect we wanted by filming it all in Hollywood, using nothing but professional actors. We felt from the start that the movie had to be filmed in this area.” He also said that the British audience had been impressed by the locally shot scenes. (DeCola, 1967). The DRC reported that in the middle of seminar, several of the students in the audience left “adhering to the school bell” prompting Beatty to feign being upset and ask the students: “Was it something I said?”

Following the seminar, the stars boarded a large bus and were taken back to the scenes of their crimes. In Ponder, they were greeted on the town square by school children dismissed from class for the occasion and were fed doughnuts and coffee. After signing autographs and posing for photos, they were back on the bus headed to Pilot Point. Unfortunately, I’ve found relatively little about the visit to Ponder.

According to the Pilot Point Post-Signal, the bus arrived at 12:40 p.m. led by a Denton County and local police escort and a crowd of “at least several hundred equipped with cameras, autograph books, and promotional material quickly encircled the plush vehicle” (Bonnie-Clyde Celebration, 1967). The crowd included children dismissed from school to participate in the festivities originally billed as “Bonnie and Clyde Day.”  The actors were escorted by Chamber of Commerce President Robert Henzler to the unoccupied Farmers and Merchants State bank building where the filming took place the previous November. On the bank steps, the stars signed autographs and posed with mannequins made up to look like Bonnie and Clyde (complete with sub-machine guns). The Denton Record Chronicle noted that actor Michael J. Pollard “took a back seat to his wife” who was “easily mistaken for a starlet” and reportedly signed autographs “Mrs. Michael J. Pollard.” The Chamber of Commerce sold souvenirs including special-edition newspapers and “Bonnie Parker Cigars.” The Denton Record Chronicle reported that a Warner Bros. executive at some point during the day “climbed on a horse and showed Pilot Point residents that New Yorkers can ride too” (They’re People!, 1967). The festivities ended with a barbecue hosted by the Chamber of Commerce and catered by Jetton Catering Service of Ft. Worth. A tent was erected on the west side of town with a large portion of the square roped off and traffic re-routed. The cost for residents was $2 per plate.

After an hour and 15 minutes in Pilot Point, the group boarded their bus and returned to Denton for radio and television interviews. At some point that afternoon, it’s reported that Estelle Parsons was so hot that she jumped into the Holiday Inn pool in her street clothes (“They’re People”, 1967). Unfortunately, I found no photographs.  After a full day of publicity, at 5:30 p.m. the group hopped into vintage cars and appeared in the North Texas State Fair parade (seen in the above video from the KXAS NBC 5 news collection).

Bonnie and Clyde Was Here: The Southwest Premiere

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Clockwise: Advertisement from the Campus Chat (09/22/1967); Promotional Poster at the Campus Theater; Campus Theater Employees in the box office. Both stills are taken from the KXAS-NBC 5 film.

The Southwest premiere was scheduled for September 13th at 7:30 Denton’s Campus Theater. The Pilot Point Post-Signal reported that portions of West Hickory had been roped off to accommodate the Denton High School Band and “a gigantic and luxurious red carpet” that was spread across the street” (Bonnie-Clyde Celebration, 1967). Ushers were in formal attire and wore new red blazers with the Interstate Theaters crest seen in the still above. The box office featured bullet-hole stickers and the words “Bonnie and Clyde Was Here.” Crowds began to gather including reporters from as far away as Detroit and Chicago. The screening was sold out but occasionally someone would turn in an unused ticket. Keith Shelton of the  Denton Record Chronicle reported that “an Interstate official would hold up his hand to the crowd—just like a Texas-Oklahoma football game” and the ticket would soon be purchased. At 6:45 p.m. the doors opened to the 1,300 advance premiere ticket holders while hundreds of spectators waited for the stars to arrive. By 7:40 p.m., the stars hadn’t arrived. The band continued playing outside while audience members inside were entertained by organist Les Mills. Interstate Executive Vice President W.F. Mitchell announced that the band would get free popcorn and drinks when the event disbursed and they were through playing (Shelton, 1967).

Thirty-minutes late, at 8:00 p.m., the stars finally arrived in limousines and were rushed into the crowded theater. Once inside, Executive Editor of the Record Chronicle, Bill Rives was the master of ceremonies. The actors were invited onstage and Pollard came on stage minus one patent leather shoe stating he had tripped in the bathroom and injured his foot. Rives joked about Pollard’s velvet tuxedo and red silk turtleneck shirt, noting that Pollard was certainly “no coward” for coming to Denton in that type of ensemble (Shelton, 1967). Rives then played a tape recording from Faye Dunaway who proclaimed she could not have made it from Hollywood to Denton “no way short of using a shotgun like Bonnie Parker…at midnight your time, have a drink on me” (Shelton, 1967). Following the introductions, Beatty left but Parsons and Pollard remained for the rest of the screening.

Reviews and Reactions

Local reports indicate that audiences cheered loudly when their town or familiar faces were projected on the big screen.  The Pilot Point Signal-Post reported (Bonnie-Clyde Celebration, 1967) that the “long awaited Pilot Point segment came about midway in the picture with thunderous applause following the local scenes as well as the appearance of local residents.” The Denton Record Chronicle reported that Pilot Point resident, 60-year-old Joe Spratt, received applause for his speaking part. Spratt, who witnessed the real Bonnie and Clyde’s 1934 visit to Grave’s Café in Pilot Point was given a speaking role as a poor farmer whose money was spared by Clyde during a robbery. The Pilot Point Signal-Post reported that Joe had been paid $100 a day for two days plus $12.50 for the use of his cows.

Farmer3 Farmer2
We believe that these stills taken from a bank robbery scene Bonnie and Clyde (00:55:15 – 00:56:18) show Mr. Joe Spratt in his Hollywood debut. 

The following morning, the stars were escorted to Love Field and flew back to Hollywood. Though national opinion was mixed about the film and its message, Keith Shelton of the Denton Record Chronicle reported of local reaction: “most were in agreement that it was not your ordinary crime movie.” He credited the film for portraying violence and death “as real violence and death…not ‘bang, bang, you’re dead.” He observed that it was a “subdued audience” that filed out of the Campus that night. Campus Chat reporter Pat Bryan reviewed the film in the September 22nd edition of the campus paper and described Bonnie and Clyde as “real, human and true-to-life, unlike other modern Hollywood productions.” The movie, which was scheduled to run only 2 weeks, played 5 times daily at the Campus Theater to sold-out audiences. The Pilot Point Post-Signal reported on September 20th that the events were “an occasion and experience which will long be remembered among the people of this area.” Pilot Point’s mayor, George Hilz, called the production and the celebration, “the biggest thing that’s happened since I’ve been mayor.”

Bonnie and Clyde and the film about the duo continued to receive press in the North Texas papers as reviews came in from North Texans in faraway places like Georgia. The Pilot Point-Signal reported on 09/16/1967 that Mr. and Mrs. W.L. Holford had received a phone call from their daughter, Mrs. Jim Bridges, stating that they had viewed the film. The couple reported “it was nice to see their friends on screen” and that they had “spent the intermission bragging a little about Texas” (Report). The film’s message as well as its style also influenced teenagers. The Campus Chat reported on 12/15/1967 that the Zeta Tau Alpha sorority was holding a pledge party at the abandoned Farmers State Bank in Ponder (shown in the film) with pledges wearing 1930’s attire.

Outside of North Texas, the provocative film continued to receive mixed reviews though it won two Academy Awards: Best Supporting Actress for Estelle Parsons and Best Cinematography for Burnett Guffey.The film was also nominated for Best Picture, Best Director, Best Screenplay, Best Actor, Best Actress, Best Supporting Actor (for both Hackman and Pollard), and Best Costume Design. Over the last 48 years, film has remained a mainstay in best-of lists and film canons and was selected for preservation in the National Film Registry.

Share Your Memories

While the film has earned recognition, the stories of the Texans and local communities who helped make this film have yet to be fully explored. If you or someone you know has information about the filming or premiere, please contact Laura Treat, Moving Image Preservation Librarian, at I’m especially interested in talking to people who witnessed the filming and premiere and am hoping to find more information about the September 1967 promotional visit to Ponder.

If you still haven’t seen the film, you can check it out at the UNT Media Library (DVD 5866)and keep an eye open for locals. If you’re a super fan or local history enthusiast, you might consider attending Pilot Point’s “Bonnie and Clyde Days” on Saturday October 10, 2015.


Bonnie-Clyde Celebration Termed Success Here (1967, September 21). Pilot Point Post-Signal. P. 1. Bonnie-less Clyde Makes First Southwestern Showing (1967, September 22). The Campus Chat, p. 1. Bonnie and Clyde Return to Crime Scene (1967, September 07). Pilot Point Post-Signal. P. 1. Bryan, P. (1967, September 22). Screen Returns Life to ‘Bonnie and Clyde.’ The Campus Chat. P. 1. DeCola (1967, September 14). Star Trio’s Words Take New Truth. Denton Record Chronicle. Pp.1-2. Denton Set to Host Film Premiere Sept. 13 (1967, August 18). The Campus Chat. P. 4. Mrs. Chatham Watches Movie Filming (1966, November 03). The Bellville Times. P. 12. Local Sees ‘Bonnie and Clyde’ (1967, August 31). Pilot Point Post-Signal. P. 1. Location Shooting (1966, November 06). Witchita Falls Times – Features Magazine. P. 1. Pilot Point Filming Due (1966, November 07). Denton Record Chronicle. P. 1. Report on ‘Bonnie and Clyde’ (1967, September 16). Pilot Point Post-Signal. P. 1. Rives, B. (1966, November 11). The Years Roll Back for Film. Denton Record Chronicle. P. 1-2. Shelton, K. (1967, September 14). Movie Left Its Viewers to Thoughts. Denton Record Chronicle. Pp. 1-2. They’re People! Film Stars Show a Personal Touch (1967, September 14). Denton Record Chronicle. P. 1. WBAP-TV (Television station : Fort Worth, Tex.). [News Clips: LBJ Library contract, Auditor warns of county deficit, Final rites for fallen Marine, Dr. Peale criticizes rioting, Denton premier for new picture], Video, September 13, 1967; ( : accessed September 11, 2015). Warner Bros. Shooting Café at Lavon for Bonnie and Clyde (1966, October 20). The Wylie News. P.1.

Posted by & filed under Movie Recommendations.

In yesterday’s post, we explored some films  that pay tribute to the worker and the working class experience. Today we lighten the mood with a selection of films and television programs available for checkout at the Media Library that celebrate the fun, the heartbreak, and the boredom of working.   

Office Space (1999) (DVD 1267)

This Mike Judge comedy was such an overwhelmingly obvious choice that I almost omitted it. I don’t even know where to begin as pretty much every scene in this movie about fed-up office workers and IT employees is memorable and quotable.  

Empire Records (1995) (DVD 12705)

“Shock me, shock me, shock me with that deviant behavior…” A coming-of-age movie that led many to aspire to be underpaid record store employees, this cult classic takes place at an independent Delaware record store that is way cooler than anywhere I’ve worked. The store is populated by eccentric and very mid-90s characters who (in the course of one day) attempt to stop the store from being sold-out to a large chain. Enjoy some early performances from Ethan Embry, Liv Tyler, Robin Tunney, and Renee Zellweger.  

Clerks (1995) (DVD 1562)

I’m going to go ahead and say (against somewhat popular opinion) that I don’t actually like this movie. I’m sorry, I just don’t think it’s funny. That said, I do appreciate the depiction of the mundane and painfully boring parts of work. Also, other people like it.


The IT Crowd (2006-2013)

Cancelled much too soon, this is one of two British television comedies I find funny (see below for the second). Set in London at Reyhnholm Industries, the show revolves around 3 awkward and slightly inept IT staff members and their ridiculous upper management. Recommending Season 3 Episode 4, “The Speech,” wherein the guys convince Jen that the Internet is contained in a box.  

Working Girl (1988) (DVD 4731)

Come for the great 1980s fashion, stay for the highly problematic look at women in the workforce. Though this really is an unfortunate depiction of women and work, it has some entertainment value as a look back at 1980s “feminism” and fashion.  

The Office (2001-2003) (DVD 4083)

Although I’m not a fan of British television comedy (see above), The Office is certainly one of the finest television comedies produced in the US or the UK. On that note, I would like to heavily endorse the UK version over the comedically inferior US series. Although Steve Carrell plays the awkward and inept boss well, the ensemble is seriously lacking in comparison to its UK counterpart.  

Posted by & filed under Movie Recommendations.

Labor Day isn’t only an excuse to barbecue, procrastinate on homework, or seize your last opportunity to wear your best white ensemble. According to the U.S. Department Labor, it is a day “dedicated to the social and economic achievements of American workers” and is a “yearly national tribute to the contributions workers have made to the strength, prosperity, and well-being of our country.”   As you prepare for your  three-day weekend, consider getting in the original spirit of the holiday by checking out some of these great movies about work and working.   

Harlan County USA (1976) (DVD 5828)

Directed by Barbara Koppel, this Oscar-winning feagure-length documentary follows the activities of coal miners and their families striking against the Brookside mine in Harlan County, Kentucky in 1973. This film was added to the Library of Congress National Film Registry in 1991 and was voted one of the top 5 documentaries of all time by the International Documentary Association.  

Norma Rae (1979) (DVD 7973)

Starring Sally Field, this film depicts a factory worker who becomes involved in a labor union due to the poor health conditions at the factory where she works. The film was based on real-life union organizer Crystal Lee Sutton who was fired from her job at the J.P. Stevens textile plant in North Carolina for trying to organize a union. Her last action at the plant–depicted memorably in Norma Rae–was writing the word “UNION” on a piece of cardboard and standing on her work table, leading her coworkers to turn off their machines in solidarity before she was physically removed by police. Sally Fields won the Academy Award for Best Actress for this role and the film was selected for inclusion in the Library of Congress National Film Registry in 2011.   

Nine to Five (1980) (DVD 1001)

Although it’s a more light-hearted look at the plight of the worker, Nine to Five is one of my all-time favorite movies that also happens to feature two of my favorites– Dolly Parton and Jane Fonda. This film is a comedic look at how three working women get even with their “sexist, egotistical, lying, hypocritical” boss (played by Dabney Coleman) and manage to enact real, positive change in the workplace.  

How Green was My Valley? (1941) (DVD 181)

Winner of 5 Academy Awards including Best Picture, Best Director, Best Cinematography, and Best Supporting Actor, this John Ford picture tells the story of the Morgan family, a Welsh mining family living in South Wales Valleys in the 19th century  

On the Waterfront (1954) (DVD 1319)

Let’s forget for a moment Elia Kazan’s association with the Hollywood Blacklist and his history of ‘naming names’ and appreciate this beautiful film. Focusing on dockworker Terry Malloy (Marlon Brando) and his brother Charley (Rod Steiger), the film concerns union violence and corruption on the waterfront of New Jersey. The film won 8 academy awards including Best Picture, Best Actor, Best Supporting Actress, and Best Director. It was selected for inclusion in the Library of Congress National Film Registry in 1989.    

Modern Times (1936) (DVD 1967)

In this satirical comedy written and directed by Charlie Chaplin, the Little Tramp struggles against the modern industrialized world with hilarious results.  This film was selected for inclusion in the Library of Congress National Film Registry in 1989.  

Blue Collar (1978) (DVD 2434)

Paul Schrader’s directorial debut starring Richard Pryor and Harvey Keittel concerns three Detroit auto workers who are motivated by financial troubles and dissatisfaction with both their management and union leadership to rob a safe at union headquarters.    

The Fight in the Fields: Cesar Chavez and the farmworkers’ struggle (1997) (MV 9576) and The Wrath of Grapes (1986) (MV 1309)

Both documentaries focus on the struggles of farm workers and the United Farm Workers Union (UFW). The Fight in the Fields explores the history of the UFW and its founder Cesar Chavez and includes newsreel footage of the groundbreaking 1965 Delano grape boycott. The Wrath of Grapes is an UFW production and takes a closer look at the struggles of farmworkers in commercial grape orchards.  Notably, the UNT Special Collections Department holds the collection of Wrath producer, director, and activist Lorena Parlee.  

Posted by & filed under Movie Recommendations.

Ever wondered how filmmakers make themselves stand out enough to survive the rush of other aspiring filmmakers?


Check out this article from No Film School discussing what makes the Coen Brothers stand out among the crowd (O Brother, Where Art Thou? ring a bell? Yeah, those guys.)

Here’s a list of the Coen movies in our media library seen in the article’s attached video!

  Coen Brothers Table

Posted by & filed under Movie Recommendations.

Exploring Paul Schrader’s Film Canon

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It is no longer possible for a young filmgoer to watch the history of film and make up his or her own mind: there are just too many movies. It’s barely possible to keep up with the yearly output of audiovisual entertainment on TV and in theaters, here and abroad. Like book readers, filmgoers must rely on the accumulated wisdom of film studies—which films have endured and why—a “wisdom” increasingly polluted by populist or academic criteria. What is needed, disingenuously enough, is a film canon.
We also need the library. Though students and movie lovers can now quickly and easily view movies online through services like Netflix and Hulu, there are actually fewer options available and the thrill of discovery just isn’t the same. Streaming services and Redbox may offer convenience, but they often exclude obscure and classic titles or provide them for only a limited period of time. Thankfully, the Media Library continues to provide access to a wide array of films and television programs. In this posting, we provide just one helpful resource for approaching movies–the abandoned film cannon written by acclaimed critic, writer, and director Paul Schrader. In a 2006 article for Film Comment magazine, “Canon Fodder,” (quoted above) Schrader describes how he came to start and and ultimately abandon the task of creating a film canon. Presented here are his top 20 (Gold films). All but one are available to check out and/or stream through the Media Library. Only two are currently available on Netflix streaming.
  1. The Rules of the Game (1939, Jean Renoir)
  2. Tokyo Story (1953, Yasujiro Ozu)
  3. City Lights (1931, Charles Chaplin)
  4. Pickpocket (1959, Robert Bresson)
  5. Metropolis (1927, Fritz Lang)*
  6. Citizen Kane (1941, Orson Welles)
  7. Orphée (1950, Jean Cocteau)
  8. Masculin-Feminin (1966, Jean-Luc Godard)
  9. Persona (1966, Ingmar Bergman)
  10. Vertigo (1958, Alfred Hitchcock)
  11. Sunrise (1927, F.W. Murnau)
  12. The Searchers (1956, John Ford)
  13. The Lady Eve (1941, Preston Sturges)
  14. The Conformist (1970, Bernardo Bertolucci)*
  15. 8 ½ (1963, Federico Fellini)
  16. The Godfather (1972, Francis Ford Coppola)
  17. In the Mood for Love (2000, Wong Kar-wai)
  18. The Third Man (1949, Carol Reed)
  19. Performance (1970, Donald Cammell/Nicholas Roeg)**
  20. La Notte (1961, Michelangelo Antonioni)
*These titles are available on Netflix streaming. **This one title is not currently available through the UNT Media Library.    

Posted by & filed under Movie Recommendations.

Last week we got you primed for the Fall semester with some last-minute television binge recommendations. This week we present our Top 10 Back to School Movies. Whether you’re already adjusting to the daily grind of classes and homework or still pining for summer, the Media Library has you covered. Even better, all of the movies listed below are not currently available to stream on Netflix! Many of these movies may have been made before your time (the oldest one is from 1982!), but their themes are classic and  influenced coming of age comedies of the next 3 decades. So sit back and watch (and cringe) as the masters of teen comedy give you an education in growing up, fitting in, and falling in love. Back to School (1986) “He’s not just the biggest man on campus…he’s the wildest man on campus!” In one of the more absurd plots from this list, wisecracking Rodney Dangerfield plays a millionaire who tries to prevent his son from dropping out of college in the best way he knows how…by joining him. Naturally, hilarity ensues. Look out for a fabulously 1980s pre-super hero Robert Downey, Jr. as well as a cameo from author Kurt Vonnegut, Jr. Sixteen Candles (1984), the Breakfast Club (1985), Weird Science (1985), Pretty in Pink (1986), Some Kind of Wonderful (1986) Filmmaker John Hughes and members of the Brat Pack like Molly Ringwald  and Anthony Michael Hall ruled the 1980’s in these authentically awkward and cringe-worthy tributes to growing up and not quite fitting in. We can’t endorse the library terrorizing of the Breakfast Club crew, but it’s truly a must-see. Also, look out for the strange appearance of Harry Dean Stanton as Molly Ringwald’s father in Pretty in Pink. Fast Times at Ridgemont High (1982) This might be the oldest movie on the list, but it’s still totally relevant. The movie was written by director Cameron Crowe (Jeremy McGuire, Vanilla Sky, Almost Famous) who went undercover at a California high school while working for Rolling Stone magazine. The movie gave many future stars their start including Sean Penn as the infamous stoner surfer Jeff Spicoli, Judge Reinhold, Jennifer Jason Leigh, Nicolas Cage, and Forest Whitaker. Dazed and Confused (1993) giphy If you’re not ready to accept that school has started, no movie better romanticizes summer than Richard Linklater’s (Boyhood, Before Midnight, Bernie, Before Sunset) 1993 masterpiece Dazed and Confused. Set in 1976 Texas, the film features a number of up-and-coming actors including Matthew McConaughey in his second and most quotable movie appearance. 10 Things I hate About You (1999) All you really need to know about this movie is that it features the late great Heath Ledger as one of the best male romantic comedy leads, a perfectly angsty feminist Julia Stiles, as well as a young horrible Joseph Gordon Levitt. And most importantly, it features one of my favorite 90’s Nickeloden television characters Alex Mack! The Faculty (1998) Despite being directed by Robert Rodriguez (From Dusk Til Dawn), written by Kevin Williamson (Scream) and featuring an all-star cast that includes Josh Hartnett, Elija Wood, Jordana Brewster, Usher, and John Stewart, this movie is kind of terrible. But terrible in a you-must-watch kind of way.  

Posted by & filed under Television Recommendations.

  The start of the Fall semester is just around the corner and while some of you are scrambling to prepare for classes, others are using the remaining days of summer as a time to complete a few TV series in one sitting. What better way to kill two birds with one stone than preparing for the upcoming school year by spending a few days with several of your favorite academia set TV shows. Get your Trapper Keepers and Beats by Dre ready; it’s time to go back to school!   Saved by the Bell (DVD 12147 V.1-5)   The golden age of Tiger Beat helped this show gain its foothold on pop culture from 1989 to 1993. Although this show may predate some of you, the trials and tribulations of Zack Morris, Kelly Kapowski, and the rest of the gang never stray far from the familiar clichés that exist today as they navigate homework, homecoming, and hormones.The Media Library has the first two seasons HERE.   Community (Season 1 DVD 12032 V.1 – V.4, Season 3 DVD 15377 V.1 – V.3) Dan Harmon’s show about one study group’s adventures through Greendale Community College. This show is filled with pop culture references and is known for its refusal to color within the lines as it constantly bends genres with its biting wit and richly developed universe. The Media Library has seasons one and three which you can find HERE and HERE respectively.   Undeclared (DVD 5199 V.1- V.4) The shortest series in the bunch, this show can be consumed in one sitting. It stars a pre- How to Train Your Dragon Jay Baruchel, a pre- Sons of Anarchy Charlie Hunam and was created by a pre- The 40 Year Old Virgin Judd Apatow. Incoming freshman Steven Karp, played by the aforementioned Baruchel, moves to a new University where he hopes to start anew after high school. The transition is hard, awkward, but most importantly funny. The Media Library has the complete series HERE. Of course, we have many other shows that we could suggest but it would be irresponsible for us to delay preparation for this new semester (HERE is a link to all of our TV shows for you to browse in case you don’t mind procrastinating). Don’t forget to follow us on our twitter page @UNTMediaLibrary and our Facebook page for any updates with events, materials and other important matters of Media.

Posted by & filed under Board Games.

Most of our patrons know that the UNT Media Library has thousands of movies, but our shelves are also stocked with hundreds of table-top games. We have everything from board games and puzzles to card games and trivia. There are familiar classics like chess and backgammon alongside bizarre, unique games that are unlike anything else in our collection. We have many different decks of cards and many-sided die by the dozens. The variety of games in our collection ensure that there’s always something for everyone whether you prefer brain-teasing puzzles, competitive strategy or open-ended, playful absurdity. On Saturday, April 11th we’ll be taking our tabletop games collection across the street to Bruce Hall where UNT students will have all-day access to the very best from our tabletop games collection in celebration of International TableTop Day, a growing annual event started by the producers of TableTop, a popular web-series about games created by Wil Wheaton and Felicia Day for the Geek & Sundry YouTube channel. They have both been extremely active in the gaming community for and two of the most vocal champions of tabletop gaming in a culture that is sometimes fixated on the multi-billion dollar video game market. They first founded International TableTop Day three years ago as a way for the world to celebrate tabletop gaming together. Every spring fans host thousands of events all over the world and every year the event grows. TableTop Day 2014 was celebrated at over three thousand events in eighty different countries all over the world. The UNT Media Library has been playing along since the beginning and this year we’re excited to team again up with UNT Residence Life to bring our love of gaming to the students of UNT. These past few years since the founding of Tabletop Day have been described as a new Golden age of Board Games thanks to “an approach to game design that considers the creation of shared social experiences to be every bit as important as writing rules or designing physical components.” There’s never been a better time to be a gamer.   Media Library Contributor Garrett Graham

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Film Reels   We would like to welcome you to our first foray out into the Blogosphere.The Media Library will be utilizing this space as a means to discuss a variety of topics related to our collection of films, video games, and board games. For example, we may have something to say about the new Kelly Reichardt film or discuss the role of Dungeons and Dragons in the development of cognitive skills. We may discuss the merits and highlights of the Film Noir genre, or we may elucidate upon how the world in which Mario, Princess Peach, and Luigi inhabit resonates with people all over the world. There are breaking news stories, academic research, and scientific studies that relate to our little corner of the libraries and our contributors would love to expound upon. What better forum for these discussions than a UNT Media Library blog? Our debut feature, by Media Library blog contributor Garrett Graham, highlights an upcoming day many do not know exists; International Tabletop Game Day. Thank you for reading and feel free to comment and discuss.